Maxisingles "Which presents Lovetraxx records featured HandsUp number your vibe of Jakouzi as a maxi-single for download in collaboration with Lovetraxx records is the first single your vibe" published by Jakouzi as a download version. In addition to the original Club mix HandsUp number both on the radio version and listen to the remix of Lovesequenzer, as well as remix from the renowned in the North German area deejays Lanai and Chris Bates is. Co-founded Jakouzi was DJ run Gee among others by the producer Dennis garish with the DJ and co producer Marcus Runge, alias. Both were inspired mainly by the common long-term work in the Gardenhouse Studio Lubeck. In the project Jakouzi, the two process their experiences and memories from the dance and trance sector. Track list: 01 your vibe (Lovesequenzer radio edit) (03:32) 02 your vibe (original Club mix) (06:26) 03 your vibe (Lovesequenzer Remixx) (06:44) 04. your vibe (DJ Lanai vs. Chris Bates RMX) (06:37) company profile: Lovetraxx records is a record label specialized in the download market, headquartered in Tosterglope near Luneburg. Lovetraxx records distributes music through its own sales network, as well as Kontor records/Kontor new media. The focus is located in the commercial area of music and covers in addition to current dance music (via Lovetraxx records itself) includes pop- and rock out. Filed under: Jay Schwartz. The label Rocktraxx records (rock/metal), Poptraxx (pop/black), as well as the service label Musicservice24 (Miscellaneous) are connected.
Brazilian Musicalidade Ancestral of the Brazilian musicalidade the aboriginal peoples who inhabited the Brazilian territory before the arrival of the Europeans had understood a great variety of tribes and nations, of material culture and also sufficiently diversified spiritual, although to have common points how much to the life style (FAUSTO, 1997). In the vast cultural universe we find aboriginal music Brazilian, with its melodiosos sounds, of proper and native characteristics, that associates to it I sing and the dance if he becomes importantssima in the socialization of the tribes. ' ' Before more nothing, she will be necessary to understand that aboriginal music is, basically, a social phenomenon, coletivizado in such a way in its production as in its listening. Valley to say, in aboriginal music all simultaneously participate as producing and fruidores of music (...). Aboriginal music almost always combines to a collective event or an important social function for all the community? as a party, one I sing of work, an incitation to the war, a ritual of ticket, a encantamento, an exercise of collective memory, a mitolgica dramatizao. (...) It must still be added that the powerful social dimension of aboriginal music not necessarily has to take the form of a collective manifestation. I also sing it emitted individually has its place, but she is necessary to understand that this I sing always takes care of to a well marked social function: it can be the conducting wire of an used encantamento to cure illnesses, or to evoke rain, in the benefit of all the community, or can be the song that if opens for the register of the collective memory, or for the dramatizao of a myth through whose reproduction the entire community looks a form of autoconhecimento' '. (Jose D? Barros installation). In this direction, with the...

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